By Annemarie Bean
A Sourcebook on African-American functionality is the 1st quantity to think about African-American functionality among and past the Black Arts stream of the Nineteen Sixties and the hot Black Renaissance of the 1990s.As with all titles within the Worlds of functionality sequence, the Sourcebook contains vintage texts in addition to newly commissioned items by means of outstanding students, writers and performers. It contains the performs 'Sally's Rape' via Robbie McCauley and 'The American Play' through Suzan-Lori Parks, and is derived entire with a considerable, historic advent via Annemarie Bean.Articles, essays, manifestos and interviews integrated conceal subject matters such as:* theatre at the expert, progressive and school levels* live performance dance* neighborhood activism * step exhibits* functionality art.Contributors contain Annemarie Bean, Ed Bullins, Barbara Lewis, John O'Neal, Glenda Dickersun, James V. Hatch, Warren Budine Jr. and Eugene Nesmith.
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Extra resources for A Sourcebook of African-American Performance: Plays, People, Movements (Worlds of Performance)
Do you have to? ) MISS FAMIE: Well, I guess I better get up and see Aunt Toohey. (she leaves) JACK: Nice to have met you, mam. MISS FAMIE: Well, good-bye, son. BIG GIRL: (before Miss Famie reaches top of stairs) That ole gin-head tracked water all over your floor, Clara. CLARA: Makes no never mind to me. This place stays so clean I like when someone comes so it gets a little messy so I have somethin’ ta do. BIG GIRL: Is that why Jackie boy is here? So he can so some messin’ ‘round? G. JACK: (stands) Well, I’ll be going.
Oh shit. Look sister. None of that. You can’t take those things. Jest important things—things you would grab and carry out in case of a fire. You understand? You wouldn’t have time to get all of those things if there was a real fire. OLD SISTER: Yes son. I knows what you says is true. But you see them things is me. I brought them up with me from Birmingham 40 years ago. I always keeps them right here with me. I jest can’t do without them. You know what I mean son? I jest can’t leave them you see.
You want to know how I got this way and been this way most of my life and would 18 I THEATRICAL IN(TER)VENTIONS be worse off if I didn’t let off some steam drinkin’ this rotgut and speakin’ my mind? JACK: (to Big Girl who doesn’t listen but drinks) Yes, I would like to hear. (Clara finishes the stove and takes seat between the two. , so I got shipped out somewheres and Baby Girl got shipped out somewheres else. People that Baby Girl went to exposed her to the disease. , you shouldn’t say that! BIG GIRL: Well, I sho as hell just did!