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By Glynne Wickham

During this masterly survey, Glynne Wickham outlines the improvement of drama in the course of the global over the past 3,000 years, from its origins in primitive dance rituals all of the option to the very finish of the 20 th century. hugely readable, incisive and deeply imbued with a private point of view that stresses the primacy of concert, Wickhams erudite paintings is predicated on a lifetimes sensible event as a instructor, researcher director. A historical past of the Theatre is the fitting creation to the topic for all fans of the theatre, and an authoritative textbook for college students.

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Hybris was the word coined by the Greeks to describe pride expressed in gratuitously aggressive or insulting behaviour towards others; nemesis the word to describe the anger this pride provoked in tragedy hybris is applied by modern critics to men's overreaching desires and uncontrolled passions; nemesis to the gods' : retributive responses. Actor holding a tragic mask. Vase fragment from Tarentum, mid-fourth century bc. Wiirzburg, Martin von Wagner Museum. 25. (d) Stage settings : The diameter of the orchestra in a Greek theatre measured between twenty and twenty-five metres.

Actor wearing a toga and studying a tragic mask. Naples, National him Museum. — to contrast the reactions of several different characters to the same characters in set of circumstances and thus to develop his terms of these varied responses. It is one that Shakespeare eagerly adopted and which was followed by most Knglish playwrights throughout the seventeenth cen- found favour again among writers of melodrama the nineteenth century and has proved a seemingly indis- tury: in it pensable device to the writers of Hollywood filmscripts.

In — the The first of the three plays picks up the story the next generation at the point Agamemnon ing hero. where Atreus' son, (having sacrificed his daughter, Iphigenia, order to reach Troy), ( seduction by Thyestes of his brother On lytemnestra, doing in is about to return so, he is home murdered by revenge for the death <>l as his their ,1 in conquer- own wife, daughter; justice (Fig. 22). The its terrible story serves, as it third play seeks to supply a resolution that will bring this calamitous blood feud to an end.

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